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Kara-Lis Coverdale
Kara-Lis Coverdale, also known as K-LC, is a Canadian composer, musician, producer, based in Montreal. Coverdale is known equally for her piano, organ, and keyboard work as she is for her experimental electronic projects; often her work integrates the two, blurring the lines between traditional composition and research-based modernism.
==Biography==
Coverdale began studying music and piano at age 5. An improvisational virtuoso at a young age, she had composed and performed her own music before age 10.〔(【引用サイトリンク】title=Kara-Lis Coverdale talks MTL music scene, working with Tim Hecker )〕 Her mother is an Estonian visual artist and her father a builder and entrepreneur. She was a competitive pianist until she went to Music school at The University of Western Ontario, where she studied piano, composition, and musicology with Gwen Beamish, Omar Daniel, David Myska, and Jay Hodgson.〔(【引用サイトリンク】title=The Wire )〕 Canadian pianist Ann Southam presented her with the promising young artist award at at The Contemporary Music Showcase in Toronto. At Western Coverdale became captivated by the practice of electroacoustic music and began integrating electronics and digital processes into her work. The Kurzweil K2500 was the first sampler she ever worked with. Her Masters thesis is a study of timbre and realism in recorded music which addresses how "reality" is constructed through sound design and recording technology.〔(【引用サイトリンク】title=Sound, Rhetoric, and the Fallacy of Fidelity )〕
Since age 13, Coverdale has been primary organist and music director at several churches across Canada.〔(【引用サイトリンク】title=The Organ Inside: Kara-Lis Coverdale )〕 Sacred music is an influence in her acoustic composition work, as is Estonian choral and folk music. She claims to be a saturationist, and says Napster has been her biggest influence.〔
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